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7/17/2005

Odds and sods: Oh blogging, I've missed you.

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On Thursday night I saw a press screening of "Searching for the Wrong-Eyed Jesus," a film by Andrew Douglas. I'm writing a review of it for SFist, but I'll tell you now that seeing it is like watching a documentary, attending a concert, sitting through a feature film and reading a short story all at the same time. It's playing at the Balboa Theatre for one week starting on July 28th. If you like writing and music that's inspired by the south, or if you came from the south, GO SEE IT!

If it's not coming to your town, the soundtrack, Music from Searching for the Wrong Eyed Jesus, is out now on Luaka Bop. It includes tracks from Jim White, Cat Power, The Handsome Family and more.

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Read the latest "When The Lights Go Down In The City" on SFist.com. Everyone talks about how talented Sufjan Stevens is, and I wholeheartedly concur, but can I also mention that he's a dreamboat?

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The hijinks continue on the weekly hour-long Jonathan Hair Product ™ Infomercial, a.k.a. "Blow Out." Whoever wrote the scripts for the second season is a marketing genius, because each episode is about 20% run-of-the-mill reality show, and 80% thinly-veiled advertisement for the Jonathan product line. ("Guess what guys, we're in Sephora!" cha-ching! "I've got to go tell my girlfriend I'm going to be on QVC!" cha-ching!)

The first season had its obvious sponsors, including AmEx and Lens Crafters, and this season there's a cell phone company they mention periodically. But can you be a regular viewer of the show this season and NOT have a growing hankering to head to Sephora to buy some of the wares he's been hawking? Their not-so-subliminal advertising is working on me -- I'm totally going to buy some Dirt texturizing paste. And I wonder if The Pussycat Dolls is in on the deal too? I mean, Robin is his sister, but they're getting tons of lucrative advertising during the show as well.

Yes, the show has degenerated into an infomercial. No, I cannot stop watching!

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I have a LiveJournal now too.

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